A cinematic, orchestral track featuring brass, choir, drums and strings. Great for action contents, fantasy and battle themes also great as a pc game underscore and for trailers.
Upbeat and energetic rock music track with catchy and aggressive electric guitar riffs.
This music was composed special for action and sport related videos: trailer, advertising, highlights video, commercial, video games, advertising and much more.
“soundtrack for movies in my head” started as a personal trip inwards to subconsciously confront my own vicious weekly cycles during 2020 and the whole feeling of “end of the world” COVID brought with it. It is meant as an audio-visual album - a fictional short movie synced to music - with e...
Eric Satie's Gnossienne No.1 is one of tyhe most recognizable classical tracks for the piano (romatic era). This version was recorded in 2022 by pianist Yann Keerim. The track can be licensed for use in films and multimedia productions. Cinematic / melancholic / sad mood.
This is a deep house style summer beach song, perfect for background music, drone videos, landscapes, youtube, podcast, lifestyle vlogs, advertising or just to relax. It was created mainly with drums, electronic bass, guitar, pianos and a soft atmosphere made with pads and vocals.
This is a song with a relaxed and happy vibe, it was created mainly with pianos, synths and drums with a hip hop, lofi groove, perfect for podcast, youtube, vlogs, lounge, lifestyle, fashion, unboxing videos, background music, travel videos or advertising.
This is a 70's sounding yacht rock/soft rock instrumental excerpt. It has an odd time signature in the back end. The instrumentation is a guitar, a bass an acoustic piano and drum machine. This excerpt was recorded on reel to reel tape machine.
This is a song with a relaxed and happy vibe, it was created mainly with pianos, synths and drums with a hip hop groove, perfect for podcast, youtube, vlogs, lounge, lifestyle, fashion, unboxing videos or advertising.
‘Epilogue’ is exactly what its title suggests. I wanted to bring a closure to this musical exploration with a free improvisation, over a hypnotic set of bowed basses. I thought that it would be nice to finish this album with the feeling that it comes back to where it started, that is with the na...
I don’t know where the title for this one came from, I guess there is a sense of playfulness but also of a certain struggle in the theme of the track. It is based on Arabic music, especially the music of the Arabian peninsula, with its microtonal melody and its African-like syncopation. My good fr...
I was trying to go for a balkan-informed theme on this one, with it’s simple melodic lines. I went for a funky swinging beat and Sakir gave it an almost Bollywood feeling to it with his percussion playing. It also is a rather danceable tune, showing my lighter side. Here I played the electric bass...
This is another jam that evolved into a complete piece. I built this one with my beatboxing, my breaths and my basses, using what was available to me to create something between a Turkish Roma rhythm and an Afro-influenced groove, all through a slightly experimental and avant-garde prism. This one t...
‘All the Senses Become One' is a song in Greek talking about beauty. It describes a beautiful human being passing by and spreading their positive energy around. It is a piece that stylistically lies somewhere between the music of Greece and the Near East and American R&B music that I grew up liste...
It was a cold spring night when I plugged in my bass and jammed over this rhythmic loop. It is a rather funky and bluesy little solo, on a single note bass line. I remember listening to a lot of Sly and the Family Stone(One of my favorite Soul/Funk groups) around the days that I played this. As the ...
‘Baseline’, just like ’Up’, is one of those bass-melody experiments. It is a bass that becomes a melody and vice versa. This one was first written on paper, without the use of an instrument, in a more conceptual way. I love using bowed basses to be in unison with the pizzicato ones. It reall...
This is a rare song on the album. It talks in Greek about an occupying soldier with burning eyes, who though, is unable to look the occupied in the eye, afraid of feeling compassion. It is based on a groove that I wrote and improvised on and then sent to Dimitris Klonis. What I heard back from him w...
I have lately been listening to some church choir music from Georgia and Armenia and have been increasingly interested in vocal music from different parts of the world. This interest pushed me to write a short piece for male choir and basses. I find this combination so interesting, with its deep sou...
Once again, there is a sudden mood swing, with a composition of mine that draws mainly from the Eastern musical traditions. It is a melody that I wrote one morning and recorded most of the bass parts that same evening. I was so glad to have Fotini Kokkala on the kanun, Giannis Poulios on the violin ...
For the third piece of Hane I invited two great musicians and friends. Tamer Temel played soprano and tenor sax and Dimitris Klonis was featured on drums and electronics. It is a composition that sprung out of jamming on a quite polyrhythmic but danceable rhythm. After writing the B and C parts I th...
It was my intention with this piece to quickly surprise the listener, taking her/him to quite a different world and mood. It is one of those pieces of mine where the bassline is what actually becomes the melody. The lack of a clear upfront melody is what gives me the freedom to create music that is ...
Geminal is the product of me sending a very basic structure to pianist and keyboardist Leo Genovese. He then contributed to the melodic content of the song. He also sonically defined the piece with his keyboard sounds, bringing in mind those 70s and early 80s Herbie Hancock albums. Once again, my br...
