A dark glockenspiel and strings first part with a second part with light pulsing pads and string ostinato, creating a mysterious atmosphere and a sense of anticipation. Great for documentaries, videos, films and various other productions needing a touch of mystery.
Tension and timely concern are evoked through worrying string harmonies, ticking percussion, and pulsing kick drum and bass. Useful for film scenes where the character feels uncertainty about future events.
Sparse, emotional underscore, with cinematic echoing electric guitar notes over dark pads. The music gives an ominous feeling of melancholy uncertainty. Perfect for building tension with heartbreak and tragedy. Would work well with eerie paranormal mystery, scary true crime documentaries, and Hallow...
Inspired by “The Revenant Main Theme” (by Ryuichi Sakamoto), this is a dark, vapid, and spacious, minimalist piece, for intense inner drama and turmoil, with orchestral strings, horns, and drones.
Suspenseful background track featuring piano, strings and light percussion. Towards the middle a choir is introduced to enhance the tension some before ending with a subtle piano motif.
Is a kaleidoscope of sounds, ranging from orchestral soundtracks to intimate, peaceful compositions
and string ensembles. The album is a journey of sounds and one that draws each piece, despite
variations in sensibility and color, into a coherent musical experience.
Is a kaleidoscope of sounds, ranging from orchestral soundtracks to intimate, peaceful compositions
and string ensembles. The album is a journey of sounds and one that draws each piece, despite
variations in sensibility and color, into a coherent musical experience.
Is a kaleidoscope of sounds, ranging from orchestral soundtracks to intimate, peaceful compositions
and string ensembles. The album is a journey of sounds and one that draws each piece, despite
variations in sensibility and color, into a coherent musical experience.
Is a kaleidoscope of sounds, ranging from orchestral soundtracks to intimate, peaceful compositions
and string ensembles. The album is a journey of sounds and one that draws each piece, despite
variations in sensibility and color, into a coherent musical experience.
Is a kaleidoscope of sounds, ranging from orchestral soundtracks to intimate, peaceful compositions
and string ensembles. The album is a journey of sounds and one that draws each piece, despite
variations in sensibility and color, into a coherent musical experience.
Is a kaleidoscope of sounds, ranging from orchestral soundtracks to intimate, peaceful compositions
and string ensembles. The album is a journey of sounds and one that draws each piece, despite
variations in sensibility and color, into a coherent musical experience.
What would a horror film be without its music? Fear resembles the last wrong piece of a puzzle The
most typical characteristic of horror film music is that it is dissonant, that is, it is based on intervals
that do not sound stable and complete. Instead, they have a suspended sound, and in this way...
What would a horror film be without its music? Fear resembles the last wrong piece of a puzzle The
most typical characteristic of horror film music is that it is dissonant, that is, it is based on intervals
that do not sound stable and complete. Instead, they have a suspended sound, and in this way...
What would a horror film be without its music? Fear resembles the last wrong piece of a puzzle The
most typical characteristic of horror film music is that it is dissonant, that is, it is based on intervals
that do not sound stable and complete. Instead, they have a suspended sound, and in this way...
What would a horror film be without its music? Fear resembles the last wrong piece of a puzzle The
most typical characteristic of horror film music is that it is dissonant, that is, it is based on intervals
that do not sound stable and complete. Instead, they have a suspended sound, and in this way...
What would a horror film be without its music? Fear resembles the last wrong piece of a puzzle The
most typical characteristic of horror film music is that it is dissonant, that is, it is based on intervals
that do not sound stable and complete. Instead, they have a suspended sound, and in this way...
What would a horror film be without its music? Fear resembles the last wrong piece of a puzzle The
most typical characteristic of horror film music is that it is dissonant, that is, it is based on intervals
that do not sound stable and complete. Instead, they have a suspended sound, and in this way...
What would a horror film be without its music? Fear resembles the last wrong piece of a puzzle The
most typical characteristic of horror film music is that it is dissonant, that is, it is based on intervals
that do not sound stable and complete. Instead, they have a suspended sound, and in this way...
