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The Challenge

Typical reality TV cue driven by staccato spiccato strings and percussions like toms and taikos. Big drum hits and french horns added in the last section to enhance the feeling. Great to stimulate the audience, to prepare for the action. A gong in the end. Also great as suspense and tension bed.

The Challenge No FH

Typical reality TV cue driven by staccato spiccato strings and percussions like toms and taikos. Big drum hits and french horns added in the last section to enhance the feeling. Great to stimulate the audience, to prepare for the action. A gong in the end. Also great as suspense and tension bed.

The Challenge Loop E

Typical reality TV cue driven by staccato spiccato strings and percussions like toms and taikos. Big drum hits and french horns added in the last section to enhance the feeling. Great to stimulate the audience, to prepare for the action. A gong in the end. Also great as suspense and tension bed.

The Challenge Loop C

Typical reality TV cue driven by staccato spiccato strings and percussions like toms and taikos. Big drum hits and french horns added in the last section to enhance the feeling. Great to stimulate the audience, to prepare for the action. A gong in the end. Also great as suspense and tension bed.

The Challenge Loop D

Typical reality TV cue driven by staccato spiccato strings and percussions like toms and taikos. Big drum hits and french horns added in the last section to enhance the feeling. Great to stimulate the audience, to prepare for the action. A gong in the end. Also great as suspense and tension bed.

The Challenge Loop B

Typical reality TV cue driven by staccato spiccato strings and percussions like toms and taikos. Big drum hits and french horns added in the last section to enhance the feeling. Great to stimulate the audience, to prepare for the action. A gong in the end. Also great as suspense and tension bed.

The Challenge Loop A

Typical reality TV cue driven by staccato spiccato strings and percussions like toms and taikos. Big drum hits and french horns added in the last section to enhance the feeling. Great to stimulate the audience, to prepare for the action. A gong in the end. Also great as suspense and tension bed.

Dark Fighter (No Sfx)

Epic hybrid orchestral track, deep and big, with arpeggiated/pulsing synths supporting the rhythmic section in the style of modern blockbuster composers. There is a short rest in the middle, think something similar 3:27 of The Dark Knight's "Why so serious". It builds up and rise to a quiet end.

Dark Fighter (Bed no Sfx)

Epic hybrid orchestral track, deep and big, with arpeggiated/pulsing synths supporting the rhythmic section in the style of modern blockbuster composers. There is a short rest in the middle, think something similar 3:27 of The Dark Knight's "Why so serious". It builds up and rise to a quiet end.

Dark Fighter (No Perc)

Epic hybrid orchestral track, deep and big, with arpeggiated/pulsing synths supporting the rhythmic section in the style of modern blockbuster composers. There is a short rest in the middle, think something similar 3:27 of The Dark Knight's "Why so serious". It builds up and rise to a quiet end.

Dark Fighter

Epic hybrid orchestral track, deep and big, with arpeggiated/pulsing synths supporting the rhythmic section in the style of modern blockbuster composers. There is a short rest in the middle, think something similar 3:27 of The Dark Knight's "Why so serious". It builds up and rise to a quiet end.

Dark Fighter (Perc and Synths)

Epic hybrid orchestral track, deep and big, with arpeggiated/pulsing synths supporting the rhythmic section in the style of modern blockbuster composers. There is a short rest in the middle, think something similar 3:27 of The Dark Knight's "Why so serious". It builds up and rise to a quiet end.

Dark Fighter (No Perc No Sfx)

Epic hybrid orchestral track, deep and big, with arpeggiated/pulsing synths supporting the rhythmic section in the style of modern blockbuster composers. There is a short rest in the middle, think something similar 3:27 of The Dark Knight's "Why so serious". It builds up and rise to a quiet end.

Dark Fighter (Bed)

Epic hybrid orchestral track, deep and big, with arpeggiated/pulsing synths supporting the rhythmic section in the style of modern blockbuster composers. There is a short rest in the middle, think something similar 3:27 of The Dark Knight's "Why so serious". It builds up and rise to a quiet end.

In The Blue Light

A spooky, scary track with lots of orchestral hits. Building up tension with sounds that give you goosebumps. Also has electronic pulsating bass sounds which create a creepy mood. Unbelievable ambiances and reverbs.

Smart Logo No Hits

Elegant audio logo sting/logo sound design/bumper/Ident.

Action Trailer Big Time

This trailer is your “Swiss knife “for all your needs. It has stops and hits, massive full blast sound and separate elements. A grand, epic and majestic fantasy/adventure track, suitable for epic stories, Sci Fi or fantasy, warriors or kings. Great for fights, champions, honor, glory and valor

Action Trailer

This trailer is your “Swiss knife “ for all your needs . It has stops and hits, massive full blast sound and separate elements .Big, bold and energetic trailer music for that 'Hollywood' sound. The track builds up to an epic climax with a full orchestral backing, electronic percussion, ethnic in...

prelude

A dramatic, orchestral-electronic cue perfect for introducing things to come. Swelling synths and pads, booming drum hits and a dynamic composition drive the mood home. instrumental, strings, big drums Orchestral Dramatic
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Yann Keerim
00:00
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