Fresh, poppy EDM / Dubstep production that brings together heady synth melodies, catchy male vocals and massive dubstep grooves. Great, optimistic piece for youth, lifestyle, fashion and film
Fresh, poppy EDM / Dubstep production that brings together heady synth melodies and massive dubstep grooves. Great, optimistic piece for youth, lifestyle, fashion and film
We Are Limitless is contemporary dance pop with dubstep elements. Energic, uplifting and fun, its infectious groove and euphoric high energy feel makes it perfect for soundtracking many types of projects. High Energy & contemporary.
‘Wannabe Be a Rock Star’ is a super-cool hybrid of electronic & electric guitar driven rock. High energy, driving and sexy.
Pumping live drums, a distorted bass groove, chunky rhythm & hot lead guitars and sweeping modern synths to create an irresistible track with a memorable energy.
‘Scuzz’ Ball is a fast and frenetic rock track featuring rock guitars, pumping drums, grooving bass and groovy cool organ. It’s fresh, contemporary and full of energetic fun.
Pumping drums are joined by a grooving distorted bass line and crunching rocking guitars to create a...
Funky disco pop electronica which sounds like Daft Punk meets Bruno Mars. Built around an irresistible funk groove featuring disco house beats and the coolest smoothest funk bass riff, the track is augmented by cool synth leads and soulful pads which flesh out the song and give it that grooviest of...
Guitar led pop which is high energy, upbeat & positive. A crunching guitar riff is joined by grooving bass and Hammond organ and augmented by modern synths and drum beats to create a sound which is modern & contemporary whilst bringing to mind classic sixties rock guitar bands such as The Rolling St...
‘Future Sexy Blues’ is a fast, high energy contemporary electro rock in the style of Fat Boy Slim, The Chemical Brothers & the Prodigy, Moby & Beck.
A driving distorted electric slide guitar riff is joined by a funking scuzzy electric bass guitar, pounding drum beats and grooving Synt...
‘Electro Shock Rock’ is a high energy spunky funky punky rock track. It’s high energy, fast and fun.
Pumping drums are joined by a grooving distorted bass line and crunching rocking guitars to create an energetic and upbeat track which has one foot in the past with its classic ...
‘Digital Funk‘ is a funky slice of pop electronica in the style Daft Punk. Built around an irresistible funk groove featuring disco house beats and the coolest smoothest bass riff, the unmistakable sound of a Fender Stratocaster electric guitar is the centrepiece of the track. Luscious...
Funky electro pop in the style of Daft Punk,
Built around an irresistible funk groove featuring disco house beats, a funky bass riff & the unmistakable sound of a Fender Stratocaster electric guitar. Luscious synth leads and pads flesh out the song and make it the grooviest of the groovy.
Contemporary dance pop track with dubstep elements & a hint of Trance pop. Vibrant, energetic & fun, its infectious groove and euphoric high energy feel makes it perfect for soundtracking many types of projects. Sounds LMFAO, Justin Bieber, Pitbull, David Guetta and Taio Cruz,
Uplifting and Positive Modern Pop-Rock Track featuring acoustic and electric guitars, drums and bass guitar. Great for commercials, product promos, TV, radio and film uses.
This is a loop version of Way Up. Energetic and Confident Rock track featuring distorted guitar riffs, upbeat drums and bass guitar. Great for TV, commercials, radio and film uses.
This is a 60sec version of Way Up. Energetic and Confident Rock track featuring distorted guitar riffs, upbeat drums and bass guitar. Great for TV, commercials, radio and film uses.
This is a 30sec version of Way Up. Energetic and Confident Rock track featuring distorted guitar riffs, upbeat drums and bass guitar. Great for TV, commercials, radio and film uses.
This is a 15sec version of Way Up. Energetic and Confident Rock track featuring distorted guitar riffs, upbeat drums and bass guitar. Great for TV, commercials, radio and film uses.
