Chopin composed many mazurkas, (a Polish folk dance), and this is one of his most familiar. Not too fast, but swirling and with a light playfulness, it has a calmer interlude before resuming the dance.
A wonderful staccato performance is required to play this piece composed by Spanish classical guitarist Fernando Sor. Rigid and with a military feel, this piece marches off with confidence and positivity.
A typical baroque style piece. This was originally written by J.S.Bach as one of the movements in a suite composed for the lute. Popular with classical guitarists, it has a very rhythmical, almost march-like feel.
This is a very filmic and cinematic piece starting with light sprinklings of piano along with ambient pads and subtle violins, to be accompanied later by a full string ensemble and oboe. There is plenty of space and it would work great for film underscore. It was composed specifically for the use in...
This epic intense, dark, cinematic trailer music has been composed with a huge string section, blasting horns and trumpets, taiko, snare, and dhol drums, iron anvils, and an epic choir to produce a gigantic cinematic orchestral soundscape.
This is the perfect track to enhance your your project wit...
A very old Irish folk piece composed originally by Turlough O'Carolan between 1670-1738. This is a sad and longing piece played by fiddle, with guitar accompaniment. Sombre and slightly mournful, this melancholy piece is beautiful.
A track composed with Latinamerican percussion and strings. It is very different approach getting a more south-american sound, using rhythmic patterns from the Colombian Folklor. A more relaxing and soft piece of music at this time.
Epic cinematic trailer piece composed with an experimental approach, E-piano and orchestral strings accompanied by contemporary drums and sound effects, escalating to the intense part with the choir and full orchestra, percussion instruments are coming in near the ending of the track, before fading ...
Ballad, Soundtrack mood, with a soft piano melody surrounded by some percussions and delays and a strings and brass section. It was composed as my personal tribute to the great composer, John Barry. Nice cello melodies and again, emotive and with a lot of dynamics and transitions.
