A tender start to this lovely piano solo. The middle section rises with increasing emotion before settling down with the piece ending very much as it had started in a calm and peaceful way.
The minor key of this waltz gives the piece a melancholic, almost sad feel. The soloist plays at a medium tempo without straying too far from the initial melody, then a more optimistic section lifts the gloom before it returns to melancholy to finish.
Here's a great cinematic piece: simple acoustic instruments unfolding (cello plucks and guitar), like a quiet town where a story is revealing itself. Highly emotional and very memorable melodies. It picks up part way through with an atmospheric shaker.
Dramatic sorrowful track with a huge string section and dynamic, minimal percussion. Would go well in an indie film drama, war movie or a medieval period piece.
Great ragtime dixieland in the style of Scott Joplin. Perfect for any period work of the early 1900s. With a catchy melody and arrangement featuring upright piano, bass, tuba and clarinet, this piece brings to mind the era of silent films. Also great for kids media, games, ads and documentaries.
Great ragtime dixieland in the style of Scott Joplin. Perfect for any period work of the early 1900s. With a catchy melody and arrangement featuring upright piano, bass, tuba and clarinet, this piece brings to mind the era of silent films. Also great for kids media, games, ads and documentaries
Traditional ragtime dixieland piece featuring piano as the solo instrument with a fast tempo. Great for comedies, Cartoons, children's productions or film depicting the 1920s and 1930s. Silent films come to mind. Keystone Cops, Charly Chaplan etc..Great for any period work of the early 20th century,...
Great ragtime dixieland in the style of Scott Joplin. Perfect for any period work of the early 1900s. With a catchy melody and arrangement featuring upright piano, bass, tuba and clarinet, this piece brings to mind the era of silent films. Also great for kids media, games, ads and documentaries.
