A very cinematic and emotional track featuring piano and lush strings. Similar in style to composers like Thomas Newman, James Newton Howard, and Rachel Portman. Perfect for any film or documentary, trailer, opening credits, end credits.
This is a very filmic and cinematic piece starting with light sprinklings of piano along with ambient pads and subtle violins, to be accompanied later by a full string ensemble and oboe. There is plenty of space and it would work great for film underscore. It was composed specifically for the use in...
This song is an emotional and dramatic track with piano and string section. Lots of dynamics and nuance here, as well as plenty of space, making it the ideal underscore for film and documentary, as well as movie trailers, opening and closing film credits and more. It was custom created for a short f...
This powerful and dramatic track starts with an ensemble of cello ostinatos, followed by violins, piano and electric guitar. It is an emotional and cinematic track with vibes of hope, triumph, rising above and conquering. Perfect for youtube videos, military documentaries about war heroes, epic sto...
Suspenseful, mysterious strings open this dark, brooding and EPIC track. Choir, orchestra and rock drums combine to end this track in a massive way. Perfect for trailers, films and games.
Epic hybrid orchestral track, deep and big, with arpeggiated/pulsing synths supporting the rhythmic section in the style of modern blockbuster composers. There is a short rest in the middle, think something similar 3:27 of The Dark Knight's "Why so serious". It builds up and rise to a quiet end.
Epic hybrid orchestral track, deep and big, with arpeggiated/pulsing synths supporting the rhythmic section in the style of modern blockbuster composers. There is a short rest in the middle, think something similar 3:27 of The Dark Knight's "Why so serious". It builds up and rise to a quiet end.
Epic hybrid orchestral track, deep and big, with arpeggiated/pulsing synths supporting the rhythmic section in the style of modern blockbuster composers. There is a short rest in the middle, think something similar 3:27 of The Dark Knight's "Why so serious". It builds up and rise to a quiet end.
Epic hybrid orchestral track, deep and big, with arpeggiated/pulsing synths supporting the rhythmic section in the style of modern blockbuster composers. There is a short rest in the middle, think something similar 3:27 of The Dark Knight's "Why so serious". It builds up and rise to a quiet end.
Epic hybrid orchestral track, deep and big, with arpeggiated/pulsing synths supporting the rhythmic section in the style of modern blockbuster composers. There is a short rest in the middle, think something similar 3:27 of The Dark Knight's "Why so serious". It builds up and rise to a quiet end.
Epic hybrid orchestral track, deep and big, with arpeggiated/pulsing synths supporting the rhythmic section in the style of modern blockbuster composers. There is a short rest in the middle, think something similar 3:27 of The Dark Knight's "Why so serious". It builds up and rise to a quiet end.
Epic hybrid orchestral track, deep and big, with arpeggiated/pulsing synths supporting the rhythmic section in the style of modern blockbuster composers. There is a short rest in the middle, think something similar 3:27 of The Dark Knight's "Why so serious". It builds up and rise to a quiet end.
An intensely suspenseful mystery cue underscoring anything from a deceitful murder to a mass epidemic. Orchestral with creepy piano, in the vein of James Newton Howard's scores for M. Night Shyamalan films
