Dark instrumental music with acoustic guitar, piano, keyboards, bass, synth and drums. Minor tone of guitar arpeggio, piano, keyboards and gloomy synth lead make dark yet not slow mood.
A positive, confident and uplifting track with analogue synths, arpeggiator, guitars and a solid bass line. A nice ambient track with a groove you'll want to listen in on and on.
Unique, yet simple driving corporate track. This is a winner hands down. Positive message with guitar and piano. Road trip and traveling. This tune is great for promo of just about anything from a company video and branding, to a car commercial. Down to earth and raw. Indie sound. A bit of country.
...
Very sci-fi oriented electro-rock piece that we had trouble finding the right category for. We would probably call it ´Electronic Space-Rock´, featuring sputtering, arpeggiating analogue synthesizers, space echoes, weird spacey sounds, thumping bass lines and an occasional, rock induced, driving g...
Orchestral usic track. Ethereal, wonderous , nystiroious & graceful . Featuring solo voice, solo French horn with soft strings and celtic harp with acoustic guitar . Soaring and euphoric. Magical and dreamlike.
An enchanting, light and breezy soundtrack with a fresh, airy, island sound.Mid-tempo, relaxing feel evoking a magical, dreamy and carefree atmosphere with woodwinds,harp, strings, guitar and percussion. Good for romantic vacation travel scenes.
A mid-tempo, relaxing, open and airy soundtrack that is ideal forevoking a serene, peaceful atmosphere. With rising and falling piano arpeggios,high strings that ebb and flow, acoustic guitar, bass and drums.
Instrumental rock/synth metal styled after hard-hitting video game soundtracks like Contra. Blazing, distorted leads, arpeggios and guitars make for a truly badass feel. instrumental, electric guitar Rock Metal
Gentle touch , Lights In The Sky , so far so close , laid back, drops of light
A gentle and slowly swaying Celtic ballad. Very relaxed and mellow feel with Celtic with guitars, harp, pan flute and cello .
