This Chopin prelude has the nickname, 'Funeral March', although it isn't the tune we associate with his piano sonata No.2 third movement. However; this is strident and morose with its block chords in a minor key.
The fastest variation of the Theme from the first movement of Mozart's Piano Sonata No.11 sparkles with energy and vivacity. A wonderful and lively ending to round off the variations of the main Theme.
Brooding and oozing passion, this cross between Spanish flamenco and classical styles is one of the most famous solo guitar pieces. Popular and dramatic, it was in fact originally written for the piano.
Slow and grave, ('Lent et grave'), the third Gymnopodie is perhaps the most heartbreaking. The whole ambience is punctuated by mournful melodies that have become so popular in modern productions.
The pianist decided to perform a quieter ending to this Chopin prelude. It has the nickname, 'Funeral March', although it isn't the tune we associate with his piano sonata No.2 third movement. However; this is strident and morose with its block chords in a minor key.
A bold introduction disguises the delicate melodies of this menuetto. Punctuated by light, dancing themes, this is a positive and confident second movement to Mozart's Piano Sonata No.11.
More lively than the Theme from the first movement of Mozart's Piano Sonata No.11, this is the second variation which is sprightly and much more intricate.
Sad and devoid of hope, this Chopin composition was played at his own funeral. It has been popular in recent film and TV productions including 'The Pianist' and 'The West Wing'.
Quick, joyous and celebratory, this Rondo from Piano Sonata No.11 is one of Mozart's best known piano pieces and has been used in many film, TV and media productions requiring a fast paced and up-tempo soundtrack.
Only sixteen bars long, this is a beautiful prelude. Graceful, serene and delicate it allows the listener to relax and unwind in a calm and peaceful way. Used in many productions and commercials worldwide.
The theme of Mozart's Piano Sonata No.11 is delicate and serene. The instruction 'Andante Grazioso', (walking pace, gracefully), produces a peaceful foundation to the six variations that follow.
Gymnopodie No.2 has an aura of sombreness about it. 'Lent et triste', (slow and sad), is the instruction to the player. Very atmospheric with a feeling of calm resignation. Huge amounts of space in the composition for thoughtful reflection.
Chopin composed many mazurkas, (a Polish folk dance), and this is one of his most familiar. Not too fast, but swirling and with a light playfulness, it has a calmer interlude before resuming the dance.
Slow, ('Lent' in French), and free-flowing, this track evokes an almost daydream like state. This is the first of three works to be given the name Gnossienne name by Erik Satie to reflect this new style of composition.
The third in a series of highly expressive and free-flowing compositions by Satie is again at a slow pace like the first one. This gives the track a sombre and hypnotic quality. Creates an almost haunting atmosphere.
An emotional and complex piano solo which is alleged to be Chopin's attempt to reflect his unhappiness in Vienna. It has been widely used in films, (such as 'The Pianist'), and even in video games, 'Fallout 4').
A waltz for solo piano which conjures up images of Paris and popular song around 1900. The title translates into, 'I Want You', and reflects the sentimental nature of the track. A wonderful backdrop for European productions.
The third variation of the Theme from the first movement of Mozart's Piano Sonata No.11 is slower and more melancholic than the Theme but still meanders gracefully in a swaying manner.
The start to this Chopin waltz is elegant and almost sedate. But then the contrast is shown by very fast sections that leave you whirling and spinning with delight.
Bold and distinctive piano melodies and chords ring out with regal and noble fashion. This is the first promenade in the suite, 'Pictures at an Exhibition', which depicts a tour around an art gallery or collection.
