Quick, joyous and celebratory, this Rondo from Piano Sonata No.11 is one of Mozart's best known piano pieces and has been used in many film, TV and media productions requiring a fast paced and up-tempo soundtrack.
The pianist decided to perform a quieter ending to this Chopin prelude. It has the nickname, 'Funeral March', although it isn't the tune we associate with his piano sonata No.2 third movement. However; this is strident and morose with its block chords in a minor key.
Brooding and oozing passion, this cross between Spanish flamenco and classical styles is one of the most famous solo guitar pieces. Popular and dramatic, it was in fact originally written for the piano.
The fastest variation of the Theme from the first movement of Mozart's Piano Sonata No.11 sparkles with energy and vivacity. A wonderful and lively ending to round off the variations of the main Theme.
This Chopin prelude has the nickname, 'Funeral March', although it isn't the tune we associate with his piano sonata No.2 third movement. However; this is strident and morose with its block chords in a minor key.
An advanced tremolo technique is required to perform this complex and well known guitar piece. 'Memories of the Alhambra', transports you to a different place and has been used in productions such as the film, 'The Killing Fields', the American TV show, 'The Sopranos' and the British TV show, 'Out o...
One of the most famous pieces of music for solo piano. Despite having the instruction, 'Lent et douloureux', (slow and painfully), this track is referred to for calm, relaxing and meditative purposes. Atmospheric and ambient.
Short and sweet, this uplifting and delicate solo classical guitar piece is beautifully light and melodic. Airy and graceful, it is the perfect track for romantic encounters and serenading your loved one.
The first movement of this famous Mozart piano sonata has an initial theme followed by six variations based on that theme. Inventive and unmistakably Mozart it has loud and soft, as well as fast and slow variations.