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Childhood

Music that leans toward indie pop and folk styles, highlighted by a strong acoustic guitar presence. Pieces range from up tempo, cheerful, bright and optimistic, to slow tempo, moody and introspective.

Grey Day

Music that leans toward indie pop and folk styles, highlighted by a strong acoustic guitar presence. Pieces range from up tempo, cheerful, bright and optimistic, to slow tempo, moody and introspective.

Teen Town

Music that leans toward indie pop and folk styles, highlighted by a strong acoustic guitar presence. Pieces range from up tempo, cheerful, bright and optimistic, to slow tempo, moody and introspective.

Music Man

Music that leans toward indie pop and folk styles, highlighted by a strong acoustic guitar presence. Pieces range from up tempo, cheerful, bright and optimistic, to slow tempo, moody and introspective.

Party Time

Music that leans toward indie pop and folk styles, highlighted by a strong acoustic guitar presence. Pieces range from up tempo, cheerful, bright and optimistic, to slow tempo, moody and introspective.

Can You Whistle

Music that leans toward indie pop and folk styles, highlighted by a strong acoustic guitar presence. Pieces range from up tempo, cheerful, bright and optimistic, to slow tempo, moody and introspective.

Love and Peace

Music that leans toward indie pop and folk styles, highlighted by a strong acoustic guitar presence. Pieces range from up tempo, cheerful, bright and optimistic, to slow tempo, moody and introspective.

Song Without Words

Music that leans toward indie pop and folk styles, highlighted by a strong acoustic guitar presence. Pieces range from up tempo, cheerful, bright and optimistic, to slow tempo, moody and introspective.

Rainbow Coalition

Music that leans toward indie pop and folk styles, highlighted by a strong acoustic guitar presence. Pieces range from up tempo, cheerful, bright and optimistic, to slow tempo, moody and introspective.

Sunny Day

Music that leans toward indie pop and folk styles, highlighted by a strong acoustic guitar presence. Pieces range from up tempo, cheerful, bright and optimistic, to slow tempo, moody and introspective.

Backstreets

Music that leans toward indie pop and folk styles, highlighted by a strong acoustic guitar presence. Pieces range from up tempo, cheerful, bright and optimistic, to slow tempo, moody and introspective.

Open Highway

Music that leans toward indie pop and folk styles, highlighted by a strong acoustic guitar presence. Pieces range from up tempo, cheerful, bright and optimistic, to slow tempo, moody and introspective.

Trance

A collection of groove oriented pieces. But no electic bass, guitar or electronic keyboards. Instead there is cello, viola, violin, oboe, english horn, acoustic piano and some pads. Evocation, haunting, playful, hip, and funky.

New Kid in Town

A collection of groove oriented pieces. But no electic bass, guitar or electronic keyboards. Instead there is cello, viola, violin, oboe, english horn, acoustic piano and some pads. Evocation, haunting, playful, hip, and funky.

Dance Floor

A collection of groove oriented pieces. But no electic bass, guitar or electronic keyboards. Instead there is cello, viola, violin, oboe, english horn, acoustic piano and some pads. Evocation, haunting, playful, hip, and funky.

Neverending Tale

A collection of groove oriented pieces. But no electic bass, guitar or electronic keyboards. Instead there is cello, viola, violin, oboe, english horn, acoustic piano and some pads. Evocation, haunting, playful, hip, and funky.

Quartet

A collection of groove oriented pieces. But no electic bass, guitar or electronic keyboards. Instead there is cello, viola, violin, oboe, english horn, acoustic piano and some pads. Evocation, haunting, playful, hip, and funky.

The Process

A collection of groove oriented pieces. But no electic bass, guitar or electronic keyboards. Instead there is cello, viola, violin, oboe, english horn, acoustic piano and some pads. Evocation, haunting, playful, hip, and funky.

Poem

A collection of groove oriented pieces. But no electic bass, guitar or electronic keyboards. Instead there is cello, viola, violin, oboe, english horn, acoustic piano and some pads. Evocation, haunting, playful, hip, and funky.
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Yann Keerim
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