Ambient hybrid synth track incorporating both strings and shakuhachi. Electronic and organic play together to invoke a feeling of fantasy and wonder along with some underlying darker unknowns. Equally at home as a track to accompany the mysteries of a backyard or exploring the vast unknowns of space...

Big, powerful, building percussion track. Tribal feel with taiko and huge bass drums adding to the drama and tension.

Subtle, pulsing tension with dissonant synths with limited drums and cello percussion. Minimal electro. Perfect for under dialogue for a crime show or to invoke a feel of mystery.

Piano and strings with mournful cello. Starts off simple, sparse and a little discordant before leading into dense piano and cello. A feeling of yearning - a struggle against loss.

Dark, driving, pulsing tension track. Angry and determined.

Minimal, pulsing suspense / tension. Electronic instrumentation. A little percussion creates movement in this dramatic underscore piece.

Evocative feel to this underscore track. Delay fx and reversed guitar make this a great track for a true crime show. The feel of a wide open desert. Haunting, solemn and introspective.

A percussive hybrid track perfect for a 60 second advertising or promotional slot. Big drums build with the addition of synth, pads and background choir. Dramatic, adventurous and hopeful. A Mugler ad feel.

Building, dark, bleak and extremely creepy tone to this gothic instrumental. Post apocalyptic hellscape meets intense psychological thriller. Scary but not slasher vibe. A sustained, icy tone throughout. A mix of different choir elements makes this great for horror movies, trailer & video game use.

Pads and reversed guitar combine to give this track an expansive, lonely feel. Staring to the horizon, windswept with a sense of longing.

Light, pulsing, ambient, synth driven cue. Neutral but interesting, perfect for a backstory. Fits nicely under dialogue with synth and reverbed piano. Understated electro with elements of Cliff Martinez, the "Social Network" and Trent Reznor.

Distorted violin, electronic bass and a bowed piano combine to produce a tense chase sequence. A melancholy, desolate feel.

A melancholy, dark, dystopian lullaby. Drones and electronic elements are covered with a haunting melody line and gentle choir.

A simple track filled with longing and melancholy. Flutes with a lot of movement and underlying bass tones combine to create a feel of loss and hope in equal measure.

A subdued instrumental piece which perfect for a sci-fi movie, advertising or corporate. Synth pads give the track a dark feel. Use of synthesizer makes this a great underscore track. Perfect for a trailer or background for a space scene, space travel and alien civilizations. A desolate, lonely feel...

Electro cue. Neutral underscore which could be used for a backstory and works well under dialogue. Understated but with an interesting vibe.

Lively electro track. All the variation and fun of a fairground - this track works well for fashion, advertising, corporate, as a TV theme or background music for TV & Film.

A Music Box adventure with orchestra. A magical journey with mournful undertones to balance the happiness of the bells. Perfect for Fairy tales and fantasy, family, Christmas and an accompaniment to wonder.

Rhythmic, suspense/tension track. Layered synth elements, distorted electric guitar and pads give an eerie, echo feel. Perfect underscore for shows like NCIS & CSI. Espionage, tension, chased and hunted down. Great for a crime thriller.

Electro-tension bed with a medium-fast tempo, with low energy, subtle dynamics, variation and growth so it's not overly-repetitive. Never gets too big. Would work in advertising or film/TV where technology, the future or space travel is the focus. Available in two versions - with or without pads.

Upbeat synth track harking back to an 80's feel. Pumping base and synthesizer makes this piece equally at home in the club or on dance-floor as it does promoting technology or the way of the future in a corporate promotion. Great for film & TV. Reflective section at 0:45 - 1:20 which could be used i...