An acoustic track reminiscent of Celtic, Irish traditional ballads, but also with a Mediterranean, Italian or Greek touch. The verse is melancholic and somber, but the chorus is very melodic, more serene and hopeful, truly inspiring. All acoustic, real instruments. Short edits also available.
An evocative waltz track in French style starts with a small orchestra and a melancholy musette. After the natural develop of the melody, a big orchestra comes to show the power of the main melody. Perfect Mediterranean folk style mixed with a cinematic mood.
Ethick World Jazz track with the violin as lead instrument.A memorable memory from Crete, a greek Island of accompanied by a jazz quintet. A classic greek rhythm constantly changing.
Ethick World Jazz track with the violin as lead instrument.A memorable memory from Crete, a greek Island of accompanied by a jazz quintet. The melody constantly evolves.
Jazzy melody by greek violin. The track builds up to paced rythms and create a motivational atmosphere. A memorable melodywith a great asian oud solo in the middle of the track.It can be used as music for films, and documentaries.
Acoustic folk track with traditional Mediterranean instruments including mandolin and accordion. Authentic sounds and arrangement. The melody is very reminiscent of classic Italian songs. A truly romantic, suggestive, inspiring tune. Alternative, more intimate versions are also available with no dru...
A cheerful, upbeat, gypsy jazz track with a pleasant melody reminiscent of Italian / Mediterranean traditions and sounds. Ideal for productions related to cooking, dining or any kind of friendly, family atmosphere. This is the full version, which includes solo instruments including mandolin, guitar,...
How far is Rio De Janeiro from Italy? Not as far as you think. Take a smooth bossa nova rhythm and feel, add a sweet melody played by an inspiring mandolin, and there you go, you have a gorgeous jazzy, world fusion track, perfect for relaxed, romantic atmospheres with an ethnic flavor and a Mediterr...
