A Christmas carol classic, “What Child Is This”. Full of hope and expectation. Led by emotional acoustic guitar, and joined with the sound of warm lush strings.
A surrounding mood or influence: a hue, intended for particular moments and situations....
versatile ,suitable for a wide variety of moods and atmospheres.
Tone and atmosphere may assume more importance than the values of rhythm and structure as
traditionally conceived in music.
that moment when you were in the cinema,the lights went out and the screen went dark.... romantic
melodies,wistful inspirational full of feeling strings fill the spaces and become important,often with
the presence of a repetitive piano.....
A modern classical music genre derived from a large number of musical genres (in this case
orchestral).
These are productions that generate strong feelings that can range from euphoria to drama or even
joy to terror.
Orchestral soundtracks,string ensembles.
A modern classical music genre derived from a large number of musical genres (in this case
orchestral).
These are productions that generate strong feelings that can range from euphoria to drama or even
joy to terror.
Orchestral soundtracks,string ensembles.
A modern classical music genre derived from a large number of musical genres (in this case
orchestral).
These are productions that generate strong feelings that can range from euphoria to drama or even
joy to terror.
Orchestral soundtracks,string ensembles.
A modern classical music genre derived from a large number of musical genres (in this case
orchestral).
These are productions that generate strong feelings that can range from euphoria to drama or even
joy to terror.
Orchestral soundtracks,string ensembles.
A modern classical music genre derived from a large number of musical genres (in this case
orchestral).
These are productions that generate strong feelings that can range from euphoria to drama or even
joy to terror.
Orchestral soundtracks,string ensembles.
A modern classical music genre derived from a large number of musical genres (in this case
orchestral).
These are productions that generate strong feelings that can range from euphoria to drama or even
joy to terror.
Orchestral soundtracks,string ensembles.
A modern classical music genre derived from a large number of musical genres (in this case
orchestral).
These are productions that generate strong feelings that can range from euphoria to drama or even
joy to terror.
Orchestral soundtracks,string ensembles.
A modern classical music genre derived from a large number of musical genres (in this case
orchestral).
These are productions that generate strong feelings that can range from euphoria to drama or even
joy to terror.
Orchestral soundtracks,string ensembles.
A modern classical music genre derived from a large number of musical genres (in this case
orchestral).
These are productions that generate strong feelings that can range from euphoria to drama or even
joy to terror.
Orchestral soundtracks,string ensembles.
A modern classical music genre derived from a large number of musical genres (in this case
orchestral).
These are productions that generate strong feelings that can range from euphoria to drama or even
joy to terror.
Orchestral soundtracks,string ensembles.
What would a horror film be without its music? Fear resembles the last wrong piece of a puzzle The
most typical characteristic of horror film music is that it is dissonant, that is, it is based on intervals
that do not sound stable and complete. Instead, they have a suspended sound, and in this way...
What would a horror film be without its music? Fear resembles the last wrong piece of a puzzle The
most typical characteristic of horror film music is that it is dissonant, that is, it is based on intervals
that do not sound stable and complete. Instead, they have a suspended sound, and in this way...
What would a horror film be without its music? Fear resembles the last wrong piece of a puzzle The
most typical characteristic of horror film music is that it is dissonant, that is, it is based on intervals
that do not sound stable and complete. Instead, they have a suspended sound, and in this way...
What would a horror film be without its music? Fear resembles the last wrong piece of a puzzle The
most typical characteristic of horror film music is that it is dissonant, that is, it is based on intervals
that do not sound stable and complete. Instead, they have a suspended sound, and in this way...
What would a horror film be without its music? Fear resembles the last wrong piece of a puzzle The
most typical characteristic of horror film music is that it is dissonant, that is, it is based on intervals
that do not sound stable and complete. Instead, they have a suspended sound, and in this way...
What would a horror film be without its music? Fear resembles the last wrong piece of a puzzle The
most typical characteristic of horror film music is that it is dissonant, that is, it is based on intervals
that do not sound stable and complete. Instead, they have a suspended sound, and in this way...
What would a horror film be without its music? Fear resembles the last wrong piece of a puzzle The
most typical characteristic of horror film music is that it is dissonant, that is, it is based on intervals
that do not sound stable and complete. Instead, they have a suspended sound, and in this way...
