Epic hybrid orchestral track, deep and big, with arpeggiated/pulsing synths supporting the rhythmic section in the style of modern blockbuster composers. There is a short rest in the middle, think something similar 3:27 of The Dark Knight's "Why so serious". It builds up and rise to a quiet end.
Epic hybrid orchestral track, deep and big, with arpeggiated/pulsing synths supporting the rhythmic section in the style of modern blockbuster composers. There is a short rest in the middle, think something similar 3:27 of The Dark Knight's "Why so serious". It builds up and rise to a quiet end.
Epic hybrid orchestral track, deep and big, with arpeggiated/pulsing synths supporting the rhythmic section in the style of modern blockbuster composers. There is a short rest in the middle, think something similar 3:27 of The Dark Knight's "Why so serious". It builds up and rise to a quiet end.
Ballad, Soundtrack mood, with a soft piano melody surrounded by some percussions and delays and a strings and brass section. It was composed as my personal tribute to the great composer, John Barry. Nice cello melodies and again, emotive and with a lot of dynamics and transitions.
A modern film score track with electric guitar, ambient synths and strings. Written in the style of hollywood composers like Harry Gregson-Williams. Ideal for movies, cinematic productions, documentaries, student films and more.
