Browse our Stock Music Collection

Use our tracks in your Videos, Adverts, Films and any production worldwide


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Skrillseeker

An edgy and in-your-face Electronic meets Action Soundtrack, with heavy Dubstep influences. Gritty and nasty, this track would be suitable for an edgy Secret Agent / Undercover Mission type project, or a very hard edged, masculine TV / commercial or Sports / Extreme Sports presentation.

Never Die

A dark and powerful Action / Suspense / Thriller soundtrack featuring a full orchestra sound combined with edgy synth textures. The track weaves in and out of danger/tension parts and all-out desperate fight/chase parts. A very edgy track, with a dark side. Epic and massive. Electronic percussion jo...

Code Red

A dark and powerful Action / Suspense / Thriller soundtrack that changes between "suspicion" and "battle" sequences. Alternating between suspense / pensive tones and all-out action music with powerful, urgent percussion and orchestra. Can be edited to fit the timing of your production. Use for spy t...

Call to Adventure

A lively, exuberant and exciting, "big sky" cinematic theme, featuring a full orchestra sound. Reminescent of the theme music from classic Hollywood blockbusters. Lavish and enthusiastic. Amazement and fun. Triumphant.

We Are One

Piano and String Ensemble over modern Percussion elements and big Orchestral Drums. Longing for something with a hopeful drive, emotional and determined. Growing in stature and energy, before returning to a reflective conclusion.

Life Unfolding

Inspired by Ludovico Einaudi and Yann Tiersen, this emotional piano solo track is suited for drama and deep storytelling. The arpeggiated movement throughout the piece evokes a sense of purpose and achievement.

Got To Do It Like This

808 bass drum, nasty synth bass and the typical hey hey sample found on several southern hip hop beats. This track has a fresh pop vibe similar to Iggy Azalea and current R&B and Pop songs. There is a build up similar to the Harlem Shake, with a processed vocal punch line.
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Yann Keerim
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