Spying, sneaking and scheming. Dramatic without being overblown, this cue takes you into back alleys, hushed conversations and the world of espionage. Sound design elements add to the moody atmosphere.
Spying, sneaking and scheming. Dramatic without being overblown, this cue takes you into back alleys, hushed conversations and the world of espionage. Sound design elements add to the moody atmosphere.
Spying, sneaking and scheming. Dramatic without being overblown, this cue takes you into back alleys, hushed conversations and the world of espionage. Sound design elements add to the moody atmosphere.
Spying, sneaking and scheming. Dramatic without being overblown, this cue takes you into back alleys, hushed conversations and the world of espionage. Sound design elements add to the moody atmosphere.
Spying, sneaking and scheming. Dramatic without being overblown, this cue takes you into back alleys, hushed conversations and the world of espionage. Sound design elements add to the moody atmosphere.
Spying, sneaking and scheming. Dramatic without being overblown, this cue take you into back alleys, hushed conversations and the world of espionage. Sound design elements add to the moody atmosphere.
Spying, sneaking and scheming. Dramatic without being overblown, this cue takes you into back alleys, hushed conversations and the world of espionage. Sound design elements add to the moody atmosphere.
A light mood and sneaky track. This track starts with pizzicato strings that make way for a very gently flute theme. An egg shaker and an occasional triangle give you the rhythm. This track would fit perfectly for a comedic underscore, specially a sneaky scene.
A quirky and lighthearted track with pizzicato strings, glockenspiel, xylophone, marimba, harp and other unusual instruments. Quirky sections followed by beautiful and loving sections dominated by the harp.
An ominous and mysterious track, that remains innocent, bouncy and fun. Sparse and light instrumentation works well to create a whimsical and quirky mood.
A track reminiscent in sound and style to Lemony Snickett's "A Series of Unfortunate Events" by Danny Elfman. Strange and unusual sounding mandolin creates an ominous mood that is kept warm and friendly by other instruments including harp, bass guitar, stomping and clapping, celesta and strings.
