John Herberman Profile : 10 tracks

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Better Not to Know

Eerie, disturbing and suspenseful. Very ambient. Trance-like repetition of short piano phrases punctuated by string swells. Sparse enough to work with a wide variety of visuals. Two versions are presented, one with the piano detuned and chorused, and one with a more traditional piano sound. Can be...

In The Morning Rain

Solo piano, ambient, reflective and introspective, but constantly moving - as if your character is deliberating and coming to important life decisions. Easily edited for length, and melodic phrases are punctuated with pauses to allow for smooth transitions. Good for drama, romance, TV, light suspen...

Insistance

Piano with or without strings. Tugs at the heart - a nagging feeling that won’t go away. Indecision... Strings add an almost romantic warmth, while the solo piano version is more tense. Short phrases make this track easily edited, shortened or lengthened to suit. Very versatile. Good for d...

Melancholy Ride

Sparse piano and light strings create a highly emotive track - very introspective and tender. Light suggestions of melody keep this track textural and will allow dialogue to speak without interference. Short piano phrases allow for easy editing. Presented also without strings. Good for drama, roma...

Missing Person

Pure suspense with lots of tension and a thumping heartbeat. Think a horrific crime scene, or a deadly chase through a dark forest. Repetitive motifs but constantly building and evolving to enhance the drama and suspense. Synth swells are presented separately to allow for dramatic placement anywhe...

Out Here On My Own

Very sparse, very tender, almost sad, almost childlike. Introspection and reflection are strongly supported in this cue. Gentle enough to allow dialogue to breathe, but complete enough to carry a quiet scene. Highly editable, and piano only and strings only tracks are presented as well. Last chord ...

Waltz For One

Solo piano. Minor key waltz with some tension in the harmony. Strong recurring melody with enough variation to keep it interesting. Think a walk alone at night reflecting on lost love or life’s mistakes. Very simple construction and performance. Suitable for scenes with and without dialogu...

Hand in Hand

Friendly and warm, strongly thematic with enough movement to propel a scene forward. Great for Act II of a romance as the lovers get to know each other. Ideal support for a scene with no dialogue. This solo piano track appeals to the heart in a gentle, positive, understated way. Good for drama, ro...

Pas de Deux

This slow cyclical waltz speaks of tristesse, loss, tenderness and longing. Style similar to Erik Satie. Two melodies gently intertwine and separate to create a story all their own. Ideal for a love story. A hanging or resolved ending are both possible with some easy editing in or out of the last ...

Friends

The title says it all; this solo piano track is full of warmth, friendship and heart. It is a song, with strong melody and chorus, and the structure allows for easy editing. Very much on the positive side, it speaks directly to the heart gently without overblown emotion or angst. Good for drama, r...
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